The Messiah Must Reside In Such Quietude

Sarkhej Roza, Makarba, Gujarat.

It was an early start. Ahmedabad has changed to an unrecognisable extent. I drove from there through S.G. Highway to Makarba one July morning in 2018 as per the directions given by Bubbles in a cutely sincere manner – two lefts,  then right,  then straight for 2 kms,  then three rights, and so on. It must have been the combination of her accuracy and my ability to grasp that I reached the masjid with sheer ease. The light from the golden torch was making its way to the earth before bribing its way into the roza’s courtyard.

Bhavna Ramrakhiani – Convenor of Ahmedabad Community Foundation

Bhavna stood there to greet me. Oh, what a beautiful face she had. Those eyes!! She instantly came across as a warm person willing to share her knowledge of the place. She spoke a welcome mix of educated English and raw Hindi. We entered the monument, removed our shoes, covered our heads.

Morning scene
Man reading the morning papers

A typical morning scene. Touchingly serene. A few men, unperturbed by my presence, read the morning papers. I felt at home. I kept taking photographs as Bhavna’s soft voice kept singing in my ears. We Indians are spoilt. Our history dates so far back that we casually declare a six centuries old structure as recent. We even neglect it. 

Morning arrivals
Sarkhej Roza

This was Sarkhej Roza, once the home of sufi saint, Ganj Baksh. To one side stood a stone pavilion in a sad state of disrepair and to the other, a courtyard with a masjid and quietly guarded tombs. Several mausoleums, an old well, hundreds of wide steps leading down to a dried tank and the infinite expanse. One part of the mosque, with its tall pillars reminded me of the Acropolis of Athens. It was too much for me to take in on a short morning tour. 

Stone pavilion in state of disrepair
Pillars of the mosque
Path to the mosque

Once in a while a person will walk the white-painted path, that led to the masjid, to speak in private to the supreme being. This path was also taken by the Sun to kiss the cheek of the messiah who must most definitely reside in such quietude.

Prayers
Connecting with the messiah
Girl playing
Well-wheel spoke shaped like a bird
Spoke on the wheel of the well resembling a bird

A small girl jumped and skipped on the steps oblivious to all. A spoke of the well-wheel pulley made to resemble an exotic visitor to the Sabarmati River. A cormorant or a spoonbill perhaps. The little bookshop opened early. A few men sat selling to no customers at all. Bhavna enjoyed a nice chat with them. A silvery bearded man in immaculate white clothes and matching taqiyah takes over the shop. “Maybe he’ll sell only one book today,” I thought. I buy one. But he will remain all day no matter what. Dedication. Service. We all can learn.

Men in the book shop, Sarkhej Roza, Gujarat.
The Old Man with silvery beard and immaculate clothes. Sarkhej Roza, Gujarat.

The cleaner, with her younger grandson in her arms, complained about her useless son-in-law. From Bhavna’s story to this – it felt like I had changed the radio station. 

The cleaner with her younger grandson and running commentary

Her elder grandson played near the main gate. His angelic face captivated me so much that I took several photos of him. He kept changing poses. A young man sat on the chair. 
Maybe, that was the accused.

The elder grandson
Angelic face
The accused. Maybe. Maybe not.

My gaze locked on a woman sitting outside the room that housed the tombs. She was not present there. She appeared to be talking to someone. But there was no one. She then laughed, and continued to laugh. Her ankles were swollen. She was a regular I was told. She walked out as aimlessly as she had walked in.

She spoke to the spirits
Woman selling balloons

Outside the mosque, another lady sold balloons. “She’s my friend,” announced Bhavna. Where did these people buy such delightful smiles from when they could not even afford a decent meal? How can they afford such precious attributes?

On my drive back to Ahmedabad, and before I hit the highway, I saw the lady who spoke to the spirits. She was on her way to… nowhere.

Homage To My Fisheye

Soho Square, London. Shot with a Pentax K20D + Pentax 17 mm fisheye lens
(Converted to BW, otherwise unedited)
Soho Square, London. Shot with a Pentax K20D + Pentax 17 mm fisheye lens
(Converted to BW + edited to create the fisheye effect )

I am now a full time Canonite but, over the years, I have tried very many different camera brands in film and digital both: Canon, Fuji, Pentax, Yashica, Minolta, Kodak, Polaroid, Hasselblad, and a few lesser known brands. Several models in each of these brands were tried by me, and each brand owned with several different lenses. At one point I worried I was becoming a collector.

Pentax made fine SLRs and supreme lenses. I had owned several of them, including a 17 mm fisheye. I had no idea when/how/why anyone would use it. For a photographer using a standard prime lens extensively, I found the fisheye too gimmicky for my needs. I was documenting life around me, and my eyes did not see the world like a fish’s eye.

Before I parted with the lens, I was curious to know how a fish would see London’s Soho Square. This shot was the result of my curiosity, but it failed to impress me. All the other fisheye photographers had splendid convexes, but mine was an image struggling to bloat from its belly. How can I present the mildly wide image to the world, I thought, and talk about the impressiveness of the lens? What was all that ado about when all it did was distort everything. and not do a good job at that either? What next? A Dogeye lens? Then a Coweye, a Pigeye, a Waspeye? Like the lens, the image never left my bag.

All this time I was familiar with the full frame equivalence and crop factor calculation, but it never struck the dense me that the 17 mm fisheye from the film days, now being used on my APS-C sensor Pentax DSLR, was not exempt from this. Don’t know why the calculations were restricted by me only to the ‘straightforward’ focal lengths! 😦

Now that I realise the reason behind the lacklustre result, I decided to recreate the image, pretending to be a fish wanting to correct the perspective. I used Photoshop to do this. Stretched, squashed, squeezed, pushed and pulled………..and voila! I ended up with this beautiful image. For a fish. Just kidding! I find it splendidly pleasing. There is so much more to absorb and admire. In short, it is akin to looking at the world from a different perspective, literally.

I regret cursing my lens and parting with it prematurely. Each time I see this picture, I imagine a gold fish with a curled lower lip, looking at me with annoyance and saying, “These humans and their obsession with the standard view!”

(The only reason some of us Pentax lovers moved away from the Pentax range of cameras was because it, sadly, delayed entering the full-frame market. Even now, their D-range DSLRs are highly underrated. In my opinion, they were capable of producing superior images that were on a par with those with the best Cannikons of the time)